Ten tips to make Keum Boo easy


Keum Boo is a magical technique 
and one of my favourites to teach!
A combination of heat and pressure permanently
bond gold onto silver, creating gorgeous 
mixed metal designs.

Here are some of the best tips 
that I teach my classes.


1. Always use the best quality foil to get the best results. The foil that I use is 24k gold and on average 0.014 mm or 14 microns thick. Cheaper versions can be only 23.5k gold and on average 0.004mm or 4 microns thick. The best quality foil gives the most beautiful bright gold finish and is much easier to cut and apply to your silver.

2. Paper punches are perfect for cutting fancy shapes from the gold foil. Yes, the the type that you can easily buy in craft shops! Remember that you don't have to use the whole shape on your design - have a look at the Textured Flower Pendant class to see how just part of a large flower was used to create a gorgeous pendant.

3. Decoupage scissors are also great for cutting delicate shapes by hand. Their spring action make them easy to use, and how far they open can be adjusted via a screw.

4. When cutting Keum Boo foil, put it inside a fold of tissue paper first. This will give extra strength to the soft gold, allowing you to cut crisper edges whether you're using punches or scissors. You can also sketch lightly on the paper to give yourself cutting lines to follow and plan out the best use of your precious gold!
5. Try a rolling mill texture on your Keum Boo - it really does give beautiful results! Both the Textured Flower Pendant and Pinwheel Flower Pendant classes use this effect. I prefer to add the gold foil first and then send the metal through the rolling mill for best results, but it is best to do this with the thicker, better quality gold foil.
 
6. It can take a little practice to get the gold exactly where you want it to be on your design, but the next two tips help with this... firstly, dip the tip of your burnisher in clean water and then touch the wet burnisher to the piece of foil. The foil will temporarily stick to the burnisher, allowing you to carefully transfer it to the silver.

7. If your design is particularly fiddly or you are still getting used to transfering the silver accurately, try putting the gold in place on the silver when the metal is still cold. You will then have time to move the gold to exactly where you want it to be. When you're ready, plug in your kiln or hot plate and allow them to heat up together until the temperature is right for burnishing.

8. This one is a safety tip. To cool your silver down quickly, place it on a steel block as you take it off the hot plate. The steel will draw the heat from the silver, keeping your studio nice and safe.
9. Plan out your work to make the best use of your gold foil. You can draw on the fold of tracing paper as above, and I also find it useful to cut the shapes I want to use from yellow paper. I can play about with different possible layouts of my design until I'm happy with it - and only then cut the foil.

10. Make sure that you save even the smallest pieces of your gold foil - all the tiny pieces left over after cutting intricate shapes out, and all the extra pieces you trim for the edges of your work. These can be used to patch up any accidental patches, and can also be over-lapped to cover up a piece of silver. The Cup of Gold pendant and Golden Beads project both use left-over "scraps" of gold to create beautiful designs.

11. And a bonus! A Liver of Sulphar patina doesn't affect gold. Use the patina to colour just the silver in your design to really make the gold pop and glow! Look at the Layered Gold Flower Earrings class to see how beautiful that looks.

Want to find out more about using Keum Boo in your jewellery?
Here are some useful blog posts, free tutorials and video classes!

And for weekly jewellery making tips and a place to share your work and ask for advice join The Jeweller's Bench Café facebook group! Just click on the photo...

Joanne Tinley

The Jeweller's Bench is run by Joanne  Tinley. She has been making her own jewellery for as long as she can  remember and left her first career as a school teacher to set up  business as a  jewellery designer and tutor nearly 15 years ago. She is  self-taught and like many people started with wire and beads. Learning  how to solder, however, opened up a whole new world of jewellery making,  one that she is keen to share! There is something so magical about  watching solder flow through a seam, joining  two pieces of metal  together smoothly.